this is the second album from bell and is a mix of robotic funk electro, funked up twisted disco and classic 808 acid. bell give us analog synthesizers and digital techniques to bring us robotic arcade-system electro. deeply complex electronic material, deep basslines, superb production, ranging from unremittingly catchy to dark, creating truly a formidable electronic album. bell are dan crouch and adrian stephens from london and supporters of bell range from andy weatherall to carl craig.

duke & sill are new producers that we will sure hear more of, this offering >rue saint bernard< takes you back in time and brings you to the future, this electro tech soul is a classic in the making, smooth deep and with lots of soul. common people produced by one of our up and coming producers volta cab, the title may take you by surprise >queen of elephants< we wanted to release the original before the remixes so that we hope you would love the song as we do, deep, memorable and great keyboard melodies, the vibe is a feel good one. b/w mark & paul are no strangers to dance music the production team of mark thomas bell & paul birchall has produced for us neuvo ritmo a classic piano groove over a low key aggressive beat, a sure peek time track for those who dare. urban crews >go< was originally presented by chez damier >the gathering< some years back we have decided to add this with the unplugged project to complete this classic theme, inspiring to say the least.

ross allens meltdown music recordings is kick-starting into life with this stunning mini album/ep from welsh native and production talent evm. evms music holds a fine balance between the contemporary and the classic, between uk garage, broken hip-hop, and the vibe of reggae, house and soul, wrapped in velvety production and a technical style all of his own. title track >groove content< has been a mainstay on ross weekly ministry of sound show for six months, and its now in the hands of gilles peterson who has already hailed it as a classic, supporting it on his bbc radio 1 show and tearing it up on the main stage at this years sonar festival.

bomb release from serbia based speed progress production duo. they come up with three amazing technotracks, including a slight minimal flavour wich makes them perfectly fitting on the label that delivers the perfect momentum. >napalm< is the more tooly, but heavy approach while >metoda< and >storage< take it more groovy and partly melodic.

the first release on the hotly anticipated recore records, a-fair comprises of three tracks from jack barton, with a remix for the lead track from pawas, a must have name in anybodies record collection. jack barton although relatively new to production, with this his second release, he is no stranger to making waves on the dancefloor and can be regularly seen playing not only in his hometown of manchester, but also much further afield. this ep showcases his talents as a producer with a spectrum of sounds from each track.

going on five years after the release of the highly superior debut album yoyoyoyoyo, mastermind spank rock aka naeem juwan touched ground with the sophomore full-length, the excellently titled >everything is boring and everyone is a fucking liar< (e.i.b.a.e.i.a.f.l.), due in september. featuring production mostly handled by boys noize in addition to single-shot offerings from the neptunes pharrell williams, original spank rock producer xxxchange, well known super-producer mark ronson, as well as sam spiegel aka squeak e. clean of n.a.s.a. and chris rockswell. the first single comes with a little aural accompaniment in the shape of >energy<, which ditches synthetic sheen to sample cans vitamin c. >i need new energy<, runs the chorus, showing juwans vision for 2011. alongside the original track three remixers excellently joining the party: jan driver, win win and the glimmers.

breakthough, the production team formed by dj jin, dj ladi dadi, dj masaya fantasista and dj freedom chicken, drops an ep with the track maybe its you featuring vocalist keyco, taken from their 10th anniversary mix cd dedicated to their montly breakthrough parties. laidback, bright and soulful sounds. comes with a remix by yukihiro fukutomi!

played by: secret cinema, laurent garnier, martin eyerer, hot chip, ryan davis, orde meikle/ slam, gui boratto, paco osuna, mauro picotto, steve parry, joseph capriati, phil kieran, microtrauma, ripperton, mihalis safras, florian meindl, maxime dangles, davide squillace, lanny may, taster peter, sql, scott byrne, king unique, zidan, angel alanis, nick bugayev ...
max coopers returns to traum with his brand new >empirisch< ep. he opens his ep with >echoes reality< and we realise right away this might be another cornerstone of max coopers musical carrier. inspiring and beautifully crafted as it moves from wonderful lush sounds to a sequences of screeching tones and back to heavenly sounds, >echoes reality< shows all signs of an etamorphosis deluxe realised on the highest possible level of production. from roaring basslines to cadillac squeaking tires to ambrosial vocals ... this is max cooper at his best and a true tour de force.

tokyo black star is finally back in full effect on reincarnation with 2 timeless deep house music gems in collaboration with our very dear friends at slam jam. >sotto marino< takes on a long ride and is reminiscent to the early 90s beautiful ecstastic italo house music vibe we love so much, while black box pays tribute to the real black funk at the now legendary friday fever black box party at club suono in ferrara with resident djs pasta boys and dj hendrix making you funk, jack and sweat under the strobe light dancing on a light floor lost in the jacking zone! produced and mixed by alex from tokyo and isao kumano for tokyo black star production in spring 2010. this ep is a tribute to our special friends at slam jam, to the maestro enrico crivellaro and to our extended music&party family in italy! arigatoni!!

the deadly combination of two of the hottest new skool producers tyke & prestige return with two huge dancefloor smashers. >scorpio< is a rolling, jungle influenced track, with influences from the early full cycle and dope dragon catalogue, brought bang up to date with todays exceptional production standards. >immortal formula< is twisted bassline madness in full effect - more of an experimental offering, this is one for the serious bass heads!
since his solo ep dropped on grid, tyke has received plays from right across the scene including spins from andy c, london elektricity, hazard, and artificial intelligence amongst others.
prestige has been quickly rising through the ranks over the past 12 months, and is fast becoming one of russias most well known d&b names, with an impressive catalogue of d&b smashers already under his belt.

trim - >i am< is out now. our second vocal, and first all vocal release on the label. really glad we made it happen. big up david kelly as usual on the artwork, trc on production, and d.o.k on notice now, and preditah and lv for contributing excellent remixes.

having just celebrated its 50th release with photeks >closer< 12 inch, tectonic moves straight into bold new territories, introducing a new artist to the label: namely distal from atlanta, usa. his approach to music production is refreshingly dynamic and eclectic, taking elements of the familiar and making it sound obscure while injecting plenty of energy and dancefloor savvy throughout his productions. this first single for tectonic brings together two very contrasting pieces of music, both in terms of tempo and attitude.

so finally, a new flight facilities song. one in the form of a single, featuring the beautiful vocals of a local talent named jess. titled >foreign language<. a tune that looks back on the last year of adventures and experiences, swoons us with smooth walking bass lines, classic house strings, loads of guitar noodling and anthemic vocals. all the perfect ingredients for a timeless summer anthem. what happens on the wax? flight facilities go for an extended drum work out, will saul - founder of aus and simple records - dubs it out with production partner tam cooper, sydney new comer rocco raimundo puts the edit touch on it and the super clean sweedish producers drop out orchestra amp it up to jamiroquai level of funk with a brand new bass lines, solos and classy solo

some may have thought the trail was cold, but battant (chloe raunet and joel dever) have just been running as far as they can. not running away from something, just keeping on moving. from the headless wave of their first lp, towards the strange shores of their second album, as i ride with no horse that is produced by its a fine line (aka ivan smagghe & tim paris) and will be released worldwide in october 2011. first glimpse: shutter. this is one of the many places where they now stand. a dry, sparse yet catchy romp. on their own edge (between early cure and meth country if you need ready made tags), electronics still dance in the corner, reigned in by the sharp its a fine line (tim paris & ivan smagghe) production. the live take of clearcut is what it says. ghosts in the machines, spookiness never in vain, this is a real song. the idea of a cover of westbam and nenas classic old school, baby had been in the mind of the team for a while. this track is a part of our history. not an easy tackle but we like to think they have made the anthem theirs. going beyond the anecdote, here is a seriously rocking wink with early support from optimo, james holden, tiga, chloe and more.

london based james what is a well known musician treading the more left-field and creative end of the tech house spectrum. his numerous eps alongside dan berkson have become poker flat classics in recent years and so we are happy to welcome him in his first solo effort for the label. lead cut >it feels wrong< fuses classic analog bass with lively synth work and satisfyingly complex question-answer passages that whisk us away into a sweaty, late night vibe immediately. berlin based lord of the witching hour lee curtiss adds his touch on the remix side with a killer acidic treatment of >it feels wrong<. tense, soulful and teasing, this warm and super playable version will no doubt find its way to freaky dancefloors everywhere. >in the dark< slowly builds edgy, spooky elements in a deep, dark and sexy trip. combining smooth chords and keys, with trippy synths and sinister vocal snippets, whats bright and clear production works wonders in this slow-burner.

this debut album, mysterious intrigue, truly marks kubas place in the electronic dance world. 9 cuts representing the realm of the deep & the divine. with perfect production for open air festivals, warehouse parties, or big club floors, you are guaranteed to move your feet & feel the bass.

fresh from the pleasures of introducing jon convex to the world, 3024 heads off on a pair of tangents for the next project. the 14th release marks the labels first split 12 inch - a result of 2 tracks falling in to their collective lap that were too good to wait for individual releases. despite the 2 very different acts involved, the symmetry in both musical background and production methodology makes for a record as coherent as any in the labels back catalogue, with both artists closely linked to both 3024 and martyns career.

julia porter, best known as miss jools, is the native londoner who cut her teeth and carved her niche in the uk capital, before making mobilee her musical home. her previous collaborative production outfit with audiofly sleeper thief brought her to wider attention in 2006 and then in 2008 she struck out on her own, undertaking solo work and discovering a penchant for slinky, late-night dancefloor sounds with releases such as >la luna< and >que me levante<, proving herself a diverse talent both in the dj booth and in the studio. after a short break, her new release on mobilee >walk away< brings her special musical flavour back to the floor. title track >walk away< it as much minimal and trippy, as it is dreamy and melodic. the same can be said for >whats going on< but this time a powerful vocal is layered over the freaky back drop. meanwhile on the b side >feel you< will keep you spinning. youll definitely find yourself dancing to one of these tracks in the early hours of the morning soon, if you are not playing them yourself…..enjoy!

the torontonian quartet, consisting of producer/musicians dinamo azari and alixander iii with vocalists fritz helder and starving yet full, have crafted a distinctive sound that references the best of dance musics past with a firm vision of its future. with manic , azari & iii mix slick modern production with retro vibes, and incredibly catchy vocal hooks with dark lyrics, striking a balance that has earned them critical acclaim and a cult following.
this limited turbo 12 inch includes remixes from red-hot crosstown rebels star maceo plex, the legendary house-cat dj sneak, and breakthrough spanish sensation borderline.

deep house/us garage veterans mateo & matos have been around longer than the ark. yet they remain capable of great things, as >want u tonight< proves. its a deliciously dizzy deep house concoction that marries contemporary production (see the beefy bottom end) with the twittering synth melodies and loopy organ hooks of old new york house and garage (think nu groove meets henry street). studio54s remix is classic new york deep disco house, while trevor loveys version has more of a uk jazzy house swing. all the mixes are wonderfully slick and groovesome. swayzak & phreek plus one deep symphoniac mixes is wonderful for morning and chill gigs.

luis flores delievers a great techno ep for micro.fon. packed with good stuff the two originals come along with 2 tool edits and two fat remixes. audio injection from the usa delievered a dubby dirty gritty stripped down tech version of >love your machine<. veteran of mexicos techno scene and years of pushing innovating and non-conforming concepts, luis has developed his own production style that is precise and hypnotic with a healthy degree of dance floor groove. his first release on droid recordings was enthusiastically lauded and put into heavy rotation by the likes of chris liebing and speedy j. already gaining momentum with interest from dj heavyweights and international tours in europe, china, the u.s. and elsewhere, he now offers 3 slabs of pure sizzling dark groove for micro.fons latest, including a remix by super-in-demand audio injection. support by: andreas henneberg, daniel sanchez, danilo vigorito, dj murphy, drumcell, jeremy p caulfield, joseph capriati, klein & meister, paco osuna, thomas krome, tommy four seven, tony rohr & many more.

we love space team up with vitalik recordings to unveil a very special collection of music for their 2011 annual compilation. following in the footprints of 20:20vision and viva, vitalik recordings have taken the concept a step further by compiling the album from entirely unreleased material. the music comes from a diverse mixture of musical souls featuring 12 exclusive tracks. part one of the of the compilations vinyl sampler contains tracks from legendary production king martin buttrich, dubstep champion appleblim and enigmatic talent the mole. spanning the genres, the resulting collection of music flows and ebbs from the early slow sultry grooves of the moles >even now still us< to the broken beats and colossal bass of closing appleblims >moonlight< constructing an old-school feel and drawing the listener into its deep and emotive soul

electric deluxe is proud to present the new terence fixmer ep le terrible. and as the name already suggests this ep is up for some serious damage. a side kicks off with le terrible a dynamic and powerful monster of a techno track which pumps up your adrenaline with its pounding bass drum and hypnotic built ups. gut feeling! b1: concept c is a strong track in which terence fixmer works his production magic with more experimental elements such as drone sounds and his ragged and slightly distorted signature bass. nonetheless creating a high energy level tune ready to be unleashed on the dancefloor. b2: last with the vinyl version dance like paranoid (marcel dettmann remix). marcel dettmanns remix wins you over by its carefully arranged melody and drum pattern which creates a melancholic and timeless rave anthem. bliss!

skyline recording is proud to give you sl45020, the first out and out hip hop. plug 1 - >in a flash< representing the forthcoming soundsci formula 99 lp featuring the extraordinary talents of emcee oxygen over an uptempo stormer that will have you shaking that thing on the dancefloor. plug 2 >class in session< taken from u-georges in production lp has a soulful edge and lyrics that will have you thinking for days. soundsci - altanta based emcees audessey and u-george team up with london beatmakers jonny cuba & dj ollie teeba. very limited edition of 300 numbered copies!

the premier minister of russian electronic underground is back, with next and most wanted vinyl for mako - opposition ep.
>opposition< is powerful back to back production featured by well known mako artist marseille, who bring more techno sounds in the track. >underground bass< absolutely dark and massive tune, which allow to think about things more wide. the sunny pressure of >trust me< makes every party more atractive. and >u r crazy< the only thing you will think about ... mako is very proud to introduce 4 peaktime weapons that are ready to shoot!

in 2010, as the first genetic bros tunes started to surface, there was an inevitable scramble for his signature. with a record of nurturing talent such as shockone, dc breaks, metrik, camo & krooked and nero, it was an easy decision to join the roster at futurebound’s visionary label viper recordings who signed genetic bros to an exclusive worldwide deal.
with his first track for viper featuring on 2010s >summer slammers< compilation whetting the appetite, genetic bros now releases his debut single for the label, and the sheer quality of his production means russia dont have to wait any longer for their first worldwide star of drum and bass. that artist has arrived. that artist is genetic bros.

4 more straight from the digital crate: dubstep diversions of pharcyde - passin me by, biggy smalls - juicy, plus fugees - ready or not (tdbz, 6blocc re-edit) & luniz - i got 5 on it (dj 0045 & tdbz w/addl production by 6blocc)

strictly limited to 750 copies, no-repress, no-digital. dont sleep!... onur engin returns with no less than four exceptionally lovingly crafted edits in an another 12 inch. after his releases from gamm, disco deviance, square and from his own edit imprint, onur engin has garnered a reputation as of one of the very best editors around. supported by the djs like greg wilson & dimitri from paris, his selection and treatment on this 12inch is, as ever, impeccable. the re-production and mastering breathes new life into the songs and presents them shining anew for todays discerning dancefloors.

classic tom moulton production, incl frankie knuckles rmx and useful acapella

good for saturday nights as well as sunday mornings, maxi jazz, rollo and sister bliss are the holy trinity at the centre of the u.k. electronic dance collective faithless. catapulted into fame by their 1996 banger >insomnia<, the group went on to play almost every stage, club and festival known to man. twice. >outrospective< was their third and most successful album, where maxi jazzs trendy vicar approach and sister bliss & rollos innate sense of what makes music work reach their climax. it is more upbeat in tempo and emotion and has an intuitive production that emphasizes their e-flavoured spirituality to a tee. featuring dido and their biggest selling hit >we come one<.

berlin imprint items & things reintroduced itself earlier this year with madatos epic ep speak of the she devil. now the labels trio of techno connoisseurs - marc houle, magda and troy pierce - entrust their imprint to italian up-and-comer danny benedettini. danny caught the production bug at an early age, and his taste for the old school can be heard in the throwback feel of tell me quietly. its a retro-tinged trip through modern dance floor sounds, with slickly executed beats and tight arrangements

with over ten years production experience, the proverbial bar of expectations has been set high for smash tv aka holger zilske and kai preussner and their forthcoming release steroids to heaven. first up on this celebrated ep is steroids to heaven, a glitchy tech house number with an astonishingly catchy bassline, reticulated with a mass of synthesized effects and an intriguing vocal sample. pitched drums and a grooving, energetic bassline conspire with one another in made for eachother driving the track forward alongside a sliced vocal sample which, after a beautifully housy breakdown, is given its full debut. judging from this fine release, smash tv is still in top form, ready and able to set the bar of expectations even higher for 2011.

amazing ian pooley house production ! killer groovin / chicago inspired !

roskas fourth release for rinse – the jackpot ep – is a 3-track 12 inch. leading with the club and radio hit jackpot, the ep snakes its way through roskas current production sound — minimal, effective and built with one purpose in mind... battering the dancefloor. containing six tracks tried and tested by roska on his busy dj schedule and firm favourites on his weekly rinse fm show, this ep is not to be missed.
support from zinc, brackles, bok bok, ma1, mary anne hobbs, untold, t.williams, toddla t, redlight, annie mac, scratcha dva, pearson sound and roska himself.

classic maw production re mastered and re issued a must have

pink stallone has been labeled everything from house to disco to garage r&b, but this concept project can only truly be defined by unique personality. a collaboration between fresh-faced new jersey producer, daniele barbarosa, and seasoned newark vocalist joey washington, pink stallone tracks are often marked by a concoction of classic songwriting sensibility with curious yet tasteful new instrumental landscapes. dancing in time, the followup to their self-released sleazoid funk anthem the six, wanders off into a dreamy-house domain, marked especially by additional production efforts from vietcong discos eddie mars

hris liebing and the clr team are very exited about the upcoming release of clr 049. the engine ep by black asteroid is the brand-new project of an artist who has been an unconventional techno innovator and a big inspiration for many years. black asteroid is the brainchild of bryan black, who started his career as a sound designer for prince. while working with prince at paisley park studios, bryan learned and honed sound and production skills, which inspired him to start his own band. he moved to london england and co-founded a band called motor. their first demo was quickly signed to novamute, and after 2 singles, motor were catapulted to the top of the techno world, sharing stages with daft punk and kraftwerk at major festivals, and later embarking on a world tour supporting depeche mode in 2009. in april 2011, bryan decided to start a new project by the name of black asteroid, to showcase an exciting new sound and to re-capture the techno world once more

1st ep from australian dubstep duo. kito provides the bass heavy pop-infused production skills, blending perfectly with reija lees lively crisp vocals. dubstep has been in search of that perfect pop cross-over & they do it with class & flair.

party girl grows from a a collaboration between 2 artists coming from different fields in music. niconote brought her voice and indie-soul stylings to limos club production sound. the release is completed with hot remixes by dapayk, guido nemola and dachshund. this simply but very cute and intense spleen made party girl be here! enjoy!

**vinyl only release - 500 hand stamped & numbered copies** , support by: nina kraviz, levon vincent, dj qu, jus ed and many more. the cherry on the cake is a stand out remix from patrice scott. there will be no repress and these tracks will not appear on any download stores! the third tsuba limited 12 inch sees tazz (underground quality) team up with giovanni for >welcome to dub<, a journey into the dubbier realms of house centering around a swirling melodic riff and raw analogue production

exium presents the follow-up on the great album >roots of time<. >the unexpected< is an excellent take on the deeper side of techno, but dont be fooled the exquisite production makes it yet another stormer for the dancefloor. from the building energy on the 1st part with the lucious chords and wicked percussion to the dreamy sequence on the 3rd, another unforgetable piece of vinyl not to be missed!

a true master of the deeper arts, phonique has, since his first steps into the world of production back in the early 2000s, become synonymous with and eulogised for his beautifully cultured productions. labels such as simple, buzzin fly, souvenir and of course systematic have all played host to his music, but it s his work for steve bugs dessous imprint for which he is most renowned. first up is phoniques solo production, >2 my jungle< which sees him step into jacking tech-house territory. lovely open hi-hats are paired with the punch of the kick drum. a trumpet riff enters the fray, backed by the grooving throb of the bassline. its vocal samples are twisted and filtered throughout as phonique creates a wonderfully trippy summer anthem. on the flip he teams up with desolat badboy, guti. still riding high on the wave of support for his fantastic debut album >patio de juegos<, the argentinian producer phonique show just how much fun they can have in their electronic playground. beautifully deep and with a lush rhodes melody, >divertimento< entices us with its sultry summer vibes. a polar opposite, yet complete match to the a-side

the eighth release of >lets get lost< which is started by mule musiq and force of natures kza. this release is our favorite portuguese artist johnwaynes again. a side is dj friendly edit of famous cosmic classic >pili pili<. b1 is beatdown house remix of garage classic >funky sensation<. if you like the production of mcde or dj nature,you will love this song. b2 >slyadub< is modern reggae house

fina has been soaking up the sunshine over the past few weeks procrastinating over the best time to release its next summer cut. with global warming rubbing everyone up the right way, we feel now is as good a time as any to drop fina 004. originally from south africa, esa mervin granger may now be more glasgow concrete towers than table top mountain but his grooves are pure house pedigree. from his releases under his mervin granger moniker to exclusive remixes for ooft! the cape town cat was a natural choice for a very >summer< shuffling three track jaunt.title track veloore is immediately recognisable from its soft analogue piano chords, amalgamated with a dreamy filtered vocal and a bass line which nods to the acidic side of deep house. on the remix is erefaan pearce, a fellow south african who pins soul to every production he lays his hands on. reworking vocals and bass lines into an infectious frenzy that is almost impossible to resist, erefaan draws that sunshine feeling from every angle. think las salinas and you are nearly there. completing the ep on the flipside is galaxy, a deep vocal number paying homage to all the lazy dogs. cosmic deep house aimed purely at the terrace. fina records 004: we present… esa

released as a 2 x 12 inch with the full length 11 track cd album shrink-wrapped. the vinyl features 4 brand new remixess from the album.this album represents the peak so far of the lads technical skills, its carefully produced from start to finish. tracks are frequently tied together, and a lot of thought has gone into the flow of the album. this is one that can be listened too from beginning to end, as opposed to a collection of singles. however that doesnt mean that state of mind have forgotten about the 3am raver. almost all of the tracks have all been smashing it up world wide over the last 6 months in their own right. collaboration wise, the album features several of nzs most talented vocalists including shapeshifters p.digsss, thomas oliver, sacha vee, mc woody & pnc, as well as american singer 3pm. the only production collaborators are nymfo and dnme. several other collaborations were planned for the lp, but in the end were unable to fit. these will be released as bonus tracks.

miles whittaker has been an integral part of the modern love label since its inception in 2002 - as one half of both pendle coven and demdike stare, as well as his own productions under the mlz and millie monikers. after almost 15 years writing music, this is the first release miles is putting out under his own name and marks a turning point of sorts in his production style, or rather, in its sequencing. the facets ep brings together different ends of his production style, unifying elements of the house and techno he s most commonly released as mlz together with the more broken production signatures usually reserved for millie and the darkened tribalism of demdike stare. flawed opens the set with a linn loop from the archives, stretched and slowed down with an intoxicated aesthetic that s somewhere between house and dub, before lustre re-configures source material originally keyed in by labelmate andy stott with a nice line in squashed percussion. primer on the flip extends from a demdike stare outtake and veers off into an analogue drum machine workout, before on the fly ends the set with a recording made straight to mixing desk from an array of mis-wired and malfunctioning drum boxes, contact microphones and samplers, over at his studio the mill earlier this year.

jem stones unique take on any genre is always compelling and highly individual. he made an impressive and memorable contribution to the early days of electro swing with the break-beat, dance-floor-filling flavors of his debut release on freshly squeezed, the electric circus ep (2010). now jem returns with a perfectly timed and unexpectedly fresh twist on a sound that has sometimes, in less skilled hands, become formulaic in its swift rise. the perpetual lotion ep raises the bar once again and opens up many new possibilities. this record will change the future direction of electro swing!
here the 1920s and 30s samples arent just backed by a house beat, but given such a distorting twist the whole has become something else entirely. the ep is slower and darker than before with brooding bass and deeper production that adds a vital contemporary edge.

nuria ghia has entered the world of production solidly. after creating her own label bluecube, the beautiful catalan girl is welcome in our beloved globox. nuria loves electronic music, her experience in the booth amounts to 11 years, having played in the most important clubs in spain.

district of corruption is proud to present a very unique collaboration between dilo and egon orange. dilo hails originally from buenos aires and is known for connecting the two worlds of rock and electronics. dilo is currently living in a perpetual summer, splitting his time between berlin and buenos aires. dilo is running his own imprint, igloo records, and has released on numerous other labels such as we are, minus, clink, unfoundsound, and einmaleins. egon orange made is production debut in 2009 on igloo. egon has also been refining his unique live show for several years. >take me home< is a tech-house gem. strong and repetitive percussion is set against dilos own fragile voice make this a perfect summer storm. we expect you will want to take this one home as the memory of a perfect night out. >röte< is the perfect flip. warm special pads pulse along with deeply hypnotic percussion and bass. ear candy is abundant but this is a no-frills journey. >röte< gently develops with lush analog keys and heavily processed vocal oddities.